TOP PORN SITES
Since long before Christ's death, humanity has felt the need to gather as much knowledge as possible. Knowledge is power, and acting from that premise, the famous Library of Alexandria emerged in the 3rd century BC., inside the complex palace of the city of Alexandria, during the Hellenistic period of Ancient Egypt.
Since then we have not stopped collecting information and classifying it for our use and especially the use of future generations, so that they would start from a great base and continue our legacy.
But all this knowledge was somewhat finite, limited by space and hardware, until the advent of the Internet. Now, without having to leave home, you have access to all the human knowledge harvested over centuries and centuries of learning.
And if there is something that awakens the desire to acquire knowledge, that is sex.
And where can you find the
top porn sites on the Internet?
I have an answer: In Toppornsites.net
Toppornsites.net is a website created by a group of friends who have contributed to it with the most visited websites, grouping them into different categories, in order to quickly access the best adult content that can be found on the Internet today.
Toppornsites.net would be the Alexandria Library of porn, where you can find answers to many of your questions related to actresses, hentai, celebrity sites, tube pages and many other categories linked to this broad sector.
Someone has to classify all that information, put all that content in order so that future generations can find a starting place to enter the dark, pleasant and tortuous world of pornography.
ExtraBall by walter
The slow motion footage of the day.
PACQUIAO VS. THE INVISIBLE MANA while back, we talked about artist Paul Pfeiffer and his project
Caryatid, where he digitally removed one of the boxers from the fight. Now, we have a video of Pacquiao where his opponent has completely vanished, creating the same eerie effect.
The technique behind this type of editing is complex and meticulous. It relies on three key processes: the use of previous and subsequent frames, analyzing footage before and after the key moment to reconstruct the background that the boxer was blocking; interpolation and digital cloning, filling the empty areas with fragments of the original image while adjusting light and shadows to make the manipulation seamless; and frame-by-frame digital painting, where, in more complex cases, each frame is manually retouched to ensure a perfect match.
The result is a surreal scene where Pacquiao throws punches at an opponent who no longer exists, while the audience continues reacting as if the fight were still happening.
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It’s never too late to take an interest in fashion.
THE NEW PANGEAvikingo
There is a geological theory suggesting that in about 200-300 million years, the movement of tectonic plates will once again merge the current continents into a supercontinent, similar to what happened with Pangea around 300 million years ago.
This concept is part of the supercontinent cycle, where landmasses drift apart and reunite over hundreds of millions of years due to continental drift. Geologists have proposed several possible scenarios for this future supercontinent, with some of the most discussed being:
Pangea Proxima: A supercontinent that would form in the same region as the ancient Pangea.
Novopangea: Would emerge if the Atlantic continues to expand while the Pacific closes, pushing continents into a new union pattern.
Aurica: Would form if the Indian Ocean disappears and the current continents shift toward the equator.
Amasia: In this scenario, North America and Asia would merge near the North Pole.
Although this is an extremely slow process, scientists can predict it by measuring the movement of tectonic plates. So, if the planet is still standing in 250 million years, we might once again have a single continent.
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Shall we take a walk?
THE FUTURE OF ROBOTS AND THE EMPLOYMENT DILEMMAIt’s becoming increasingly clear that androids will soon be part of our daily lives, taking on household chores, grocery shopping, and even jobs in factories, logistics, and construction. Automation is advancing with the goal of reducing costs and increasing profits, but this raises a major issue: if robots take over our jobs, where will we get the money to live? If too many people are unemployed, who will buy the products these companies produce?
There are two possible scenarios. One is the creation of a new economic model, where automation forces the implementation of a universal basic income to ensure financial stability for those who can no longer find traditional jobs. This way, consumer spending remains active, and the economy avoids collapse.
The other scenario is a transformation of the job market. Just like the Industrial Revolution eliminated some jobs but created many others, automation could generate new professions we can’t yet imagine. Humans might shift towards creative fields, tech-driven roles, or industries where empathy and human interaction remain irreplaceable.
What’s clear is that if we want a future where robots make life easier without triggering social collapse, we must rethink the economic model. Technology is progressing, but without a strategy for adaptation, the risk of a consumption crisis is real.
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The slow-motion moment of the day.
NARCISSISM AND SOCIALMEDIA VOL30It's funny how when we see someone recording themselves in public, talking to their phone and exaggerating gestures, we feel a strong sense of secondhand embarrassment, yet that same video seems much more normal when we see it on social media. It might still make us cringe, but we process it differently. The key difference is that in real life, we don’t just feel discomfort—we perceive the person as ridiculous, out of place. On social media, even if they still seem absurd, the format smooths out that awkwardness and makes it easier to digest.
Editing, music, and dynamic cuts help frame the content in a way that fits the kind of media we consume daily, but if someone seems ridiculous, they’ll remain so, with or without filters.
Another factor is the break in reality. Watching someone film themselves strips away the illusion, like seeing a magician set up a trick before performing it. Then there’s the difference between witnessing something and being an audience—on the street, we feel like unwilling participants in something we didn’t choose to watch, whereas on social media, we’re already in consumer mode, so even if something makes us uncomfortable, it doesn’t trigger the same rejection.
Social dynamics also play a role. When we see someone recording in public, we share the secondhand embarrassment through glances or comments with whoever is next to us. But online, there's no external reinforcement, and we process it in a completely different way.
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Today's slow-motion moment.